Showing posts with label theater books. Show all posts
Showing posts with label theater books. Show all posts

July 2, 2022

Theater Books for Summer Reading 2022

Now that Covid has been around for more than two years and vaccines have made contracting the virus a little less scary, a new kind of normal is settling in. The Tony award ceremonies returned to Radio City Music Hall. Tourists are trickling back into Times Square. And Broadway has dropped its mask-wearing mandate, at least for now. 

But some things haven’t changed: as I did in the summers both before the shut down and during it, I’ve nested myself on our terrace as soon as the weather would permit with a drink in one hand (my husband K has been whipping up caipirinhas this year) and an iPad in the other so that I can switch between reading books on my Kindle app and listening to them on my Audible app. 

As usual, most of the books have had something to do with theater. Most this year are fiction, a reflection of the fact that people are writing some really good novels and short stories about the world of the theater but also a reflection of the fact that I love those kinds of stories. So in keeping with what has become one of my favorite summer rites, I’ve put together a list of 10 books for those of you who, like me, enjoy theater-related reading during the lazy hours of this sweet season. In the meantime, Happy Fourth of July.

All About Me!: My Remarkable Life in Show Business by Mel Brooks.  You have to wait all the way until Chapter 25 for Brooks to start talking about teaming up with Susan Stroman, Nathan Lane and Matthew Broderick to create their Broadway phenom, The Producers. But he’s such a great raconteur that even the accounts of his time in the army are entertaining. And there are even more enjoyable stories about his working on the all-star writing staff (Neil Simon, Carl Reiner, Joseph Stein, Michael Stewart) that created Sid Caesar’s “Your Shows of Shows;” his writing and directing of such comedic film classics as "The Producers," "Blazing Saddles" and "Young Frankenstein" and his zany courtship of and very happy 40-year marriage with the actress Anne Bancroft. Plus, if you listen to the audiobook, you can hear Brooks break into song whenever the mood seemed to strike him.

Booth by Karen Joy Fowler. This novel about the celebrated 19th century acting clan was written by a finalist for the prestigious Booker Prize and so can be added to your calorie count for literary fiction. Beginning in 1822 and ending with the aftermath of John Wilkes Booth’s assassination of Lincoln (an avid theater lover) it is both a family saga and a historical chronicle of the events leading up to and through the Civil War. But the best parts are the vivid details—the constant and uncomfortable travel, the fierce rivalries that animated audiences, the declamatory style that exhausted its practitioners—that defined the theater world of the Antebellum era.

Fallout by Sadie Jones. In all honesty, the characters are annoying in this novel about the personal and professional entanglements of four twentysomethings trying to start their theatrical careers. But the glimpses the story provides into the London theater scene of the 1970s is catnip for any theater lover. I don’t know enough about the players in that theater scene but I suspect others who do know it will have extra fun figuring out the real-life inspirations for the folks in the book. Email me if you have any informed guesses on who the villain—the slightly older and sexually ambivalent producer—might be.

From Gods to Bad Boys: A History of Theatre in Twelve Lives by Giles Ramsay. The god is Dionysus and the baddest of the boys is the playwright Joe Orton in this chatty history of theater told through profiles of the men (and a couple of women) who made it. Some of Ramsay’s choices can be eccentric (a whole section is devoted to the now forgotten British actor Victor Henry) and no Americans made the list but the book still makes its case that from the very beginning theater makers have always striven to make the work they put on the stage truly reflect the lives and concerns of the people watching it.

Good Company by Cynthia D'Aprix Sweeney. If you’re a fan of the Noah Baumbach movie “Marriage Story,” that starred Adam Driver and Scarlett Johansson, there’s a strong chance that you’ll love this engaging novel about a couple who, after scrimping and maneuvering to maintain a small New York theater company for 20 years, move to Los Angeles, where they make discoveries about themselves, their definitions of success and their marriage.

In the Long Run: A Cultural History of Broadway’s Hit Plays by Jordan Schildcrout. Most theater lovers can list the longest-running musicals right off the top of their heads. But it’s tricker when it comes to naming the longest-running plays because there haven’t been many of them in recent years. Which is why Schildcrout’s chronicle of shows that clocked 1,000 performances or more (Lightnin', a comedy that opened in 1918 and ran for three years, was the first; Neil Simon's Brighton Beach Memoirs, which closed in 1986 after its three-year run, was the last) is such a treat.  As Schildcrout notes in his introduction, critics didn’t always love these shows but audiences did and together they provide an invaluable portrait of a time when Broadway truly was mass entertainment. You can hear an interview with Schildcrout that BroadwayRadio's James Marino and I did (as well as more about some of the other books on this list) by clicking here.

I Was Better Last Night by Harvey Fierstein. How could this not be great?  Fierstein has been involved with so many seminal productions (Torch Song Trilogy, La Cage aux Folles, Hairspray, Kinky Boots). He’s known so many celebrated people in so many different fields (Anaïs Nin, Andy Warhol, Ellen Stewart, Bella Abzug, Cyndi Lauper). And it goes without saying that he is inherently funny. So this wildly-entertaining memoir, which covers his years as a cast-album-loving Brooklyn boy in the 1950s, as a club kid prowling for sex in the ‘60s, as an emerging talent in the downtown theater scene of the 1970s, as an activist during the AIDS crisis of the 1980s and as an eventual Broadway icon, is a real page turner. And listening to Fierstein read the book in his distinctively raspy growl is like curling up for a gossipy gab with an old friend. 

The Show Girl by Nicola Harrison.  Set during the final years of the Roaring Twenties, this novel focuses on the personal and professional ups-and-downs of an ambitious young woman who becomes a showgirl in the Ziegfeld Follies. It’s basically a romance novel complete with a rich and hunky love interest but it’s also a fun behind-the-curtains look at what life might have been like for Sally, Phyllis and the other “girls upstairs” in Follies.

The Sisters Sweet by Elizabeth Weiss. The old sensation-loving vaudeville circuit provides the backdrop for this novel about twin sisters who climb up the billboard when their father, who once had stage dreams of his own, comes up with the idea of them pretending to be cojoined, or Siamese, twins. The deception works until the ambitions of one destroys the act and leads them down separate paths. The story is so redolent of that itinerant showbiz era that I kept expecting Mama Rose to make a cameo.

Vamp Until Ready by James Magruder. It would be hard to find a lovelier collection of theater-related short stories than this one. These five are linked by a group of people—gay and straight, theater professionals and amateurs—who are connected to a summer stock theater company in Ithaca, New York during the Reagan-Bush era and by the ways in which theater can change and expand lives. Supporting characters in one story become the leads in others, a sometimes humorous, sometimes poignant reminder that we’re all the stars in the tales we tell ourselves.

Finally, as always, if you’re looking for even more to read, here are the links to my now over 150 suggestions from previous years:

July 2, 2016

Theater Books for Summer Reading 2016

The Tonys and all last season's other theater celebrations are now behind us, several original Hamilton cast members (including the show's creator Lin-Manuel Miranda) are scheduled to take their final bows next week and the theater world—plus the rest of New York—is slipping into summer vacation mode. Which means that it's time for my annual list of books to keep theater lovers company through the lazy weeks of summer until Labor Day.

The selections this year are a real grab bag of choices from audiobooks and graphic novels to memoirs and mysteries. So you're likely to find something, whatever your mood or genre preference. I'm still finishing up a few of them myself and so I'm looking forward to luxuriating on our terrace (my husband K and I got new deckchairs this year) while reading them and sipping a cool drink (old-school Cosmos this year) and I hope the list helps make your summer just as pleasurable. In the meantime, Happy July 4th.

Being an Actor by Simon Callow   Best known as a character actor (he created the role of Mozart in the original 1984 London production of Amadeus) Callow is also a marvelous writer with more than a dozen books to his credit and this memoir of his earliest days in the theater is a total delight. Callow doesn't mind naming names (or burning bridges) but it's his picture of himself as a young actor struggling to master his craft in drama school and in touring companies around England that give the book its heart.

Hamilton The Revolution by Lin-Manuel Miranda and Jeremy McCarter  Like everything else about Miranda's hip-hop musical about one of the formerly lesser known Founding Fathers, this book is a refreshing spin on an old form. It's basically a souvenir book but Miranda and his theater journalist friend McCarter provide a really intimate portrait of how Hamilton was created, with bios on and commentary from each of the main players and members of the production team, gorgeous photos and, best of all, the complete lyrics, annotated with humor, openness and a generosity of spirit by Miranda himself.

Macdeath by Cindy Brown  Part of a comic-mystery series built around an actress who also works part time as a private investigator, this murder mystery is set backstage at a theater company in Phoenix that is doing a production of the Scottish play. Its tongue sits firmly in its cheek and it's just the kind of easy read that's as yummy as a juicy popsicle on a hot summer afternoon.

The Marvels by Brian Selznick  London's Theatre Royal provides the backdrop for this graphic novel about a 13-year-old boy who runs away from school and seeks refuge with his uncle who lives in a mysterious house that is believed to have been owned—and is perhaps now haunted—by a legendary family of actors. Selznick won the  Caldecott Medal for "The Invention of Hugo Cabret," which John Logan adapted for the 2011 movie directed by Martin Scorsese and so the artwork is superb. And the narrative, which begins in 1766 and ends in 1990, is surprisingly moving, even for people like me who don't usually read illustrated books.

 Matchbox Theatre: Thirty Short Entertainments by Michael Frayn  The versatile author of comedies like Noises Off and dramas like Copenhagen has created a gem of a book that, as advertised, features 30 sketches, all written in the form of dialogs that are funny, poignant and insightful about what it means to be human. They're great to read out loud with friends or to savor alone in the theater of your own imagination.

The New York Stories by John O’Hara  The midcentury writer John O'Hara wrote novels, a newspaper column, screenplays and even a couple of plays but he's probably best known for his short stories and this wonderful collection of tales centers around characters who are actors, musicians and their fellow travelers, some successful, most not but all desperate for a moment in the limelight. The audiobook version is an extra treat because the stories are read by a who’s who of terrific stage actors including Dylan Baker, Bobby Canaveral and Jan Maxwell.

Razzle Dazzle: The Battle for Broadway by Michael Riedel  Theater nerds probably already know many of the anecdotes that Riedel, the theater gossip columnist for the New York Post and co-host of the TV show "Theatre Talk," recounts in this history of Broadway from its grimy days in the 1970s through its current heyday as one of the most popular destination spots in the world. Still it's nice to have all the tales in one place and Riedel's relish for these stories is obvious and a bit contagious.

The Secret Life of the American Musical by Jack Viertel  Few people know more about what it takes to make a Broadway musical than Viertel, the artistic director of the Encores! series that puts on concert versions of neglected shows and who has also worked as a critic, dramaturge and producer. So it is a real treat to read his book, which, using lots of examples from shows ranging from Oklahoma to Hamilton, breaks down the basic structure of a musical from the "I Want" song which gets the action going straight through to the climactic 11 o'clock number.

Selected Works: A Memoir in Plays by Terrence McNally  The Tony-winning playwright of such works as Master Class, Love! Valour! Compassion and It's Only A Play has opted against a conventional memoir and, instead, looks back at his life through his work, writing brief introductions to the eight plays he's chosen to include in this collection. Although he does touch on some of his romantic relationships (including his early one with Edward Albee) and frayed friendships (with Manhattan Theatre Club's artistic director Lynne Meadows) there's relatively little gossip) the primary focus is on the relationship between McNally and his plays and the result is a master class in playwriting.

As I said, it's an eclectic list.  I hope you find something there for you and if you’re looking for even more to read, here are the links to the suggestions from previous years:











July 5, 2014

Theater Books for Summer Reading 2014


The Fourth of July was yesterday so that means summer is definitely here.  Which also means it’s time for my annual list of books to keep theater lovers company through the remaining eight lazy weeks until Labor Day. The selections this year are all novels and memoirs, just the kind of easy reading to do while you’re kicking back at the beach, in the backyard or, in my case, sitting on the terrace with a cool drink nearby (my husband K is into making sangria this year). I hope you’ll enjoy these reads as much as I’ve enjoyed finding them for you: 

THE NOVELS 
Hamlet, The Prince of Denmark: A Novel by David Hewson and Richard Armitage. Rewriting Shakespeare has become a cottage industry; Amazon lists at least a half-dozen novelizations of Hamlet alone. But this latest one is so cleverly done I almost forgot that I knew how the story ends. Not all of the backstories the authors devise—turning Polonius from a foolish busybody into a Machiavellian manipulator, making Hamlet and Ophelia secret lovers—worked for me but this is fan fiction of the highest order. It’s only available as an audiobook but A.J. Harley is an elegant narrator and who doesn’t like to hear a good story well told?

The Garrick Year by Margaret Drabble. No doubt borrowing from her own early years as a member of the Royal Shakespeare Company and 15-year marriage to an actor, Drabble tells the story of Emma, a restless young mother with two small children who is forced to leave London when her husband is hired for a season with a celebrated repertory company in residence in rural Hereford. Emma encounters all the usual backstage suspects, as well as the temptation of an affair with the company’s charismatic leader. This deliciously high-brow soap, which first came out in 1964, was out of print for a while but it’s now available as a download on both Amazon and iTunes. 
 
At Night We Walk in Circles by Daniel Alarcón.  Four summers ago, The New Yorker named Alarcón one of the 20 most promising writers under 40 and so this novel sits high up on the literary food chain. Alarcón, who was born in Lima, Peru, but grew up in Birmingham, Ala., centers his tale around a young South American actor who joins a guerrilla theater troupe that travels through the countryside performing a politically provocative play. Then, unexpectedly, he finds himself playing a different kind of role in a real-life drama. The writing is languid, the narrative is quixotic but the belief in the power of theater is spellbinding. 

Little Did I Know by Mitchell Maxwell. It’s Andy Hardy meets “Chinatown” in this noirish novel about a freshly-minted college grad and his pals who open a summer stock theater in a New England town dominated by a powerful rich man, his floozy wife and a mysterious crime. It takes a while for this novel to get going (I'm only half way through) and there’s more noir than suits my taste but the let’s-put-on-a-show parts provide a fun, if idealistic, look a at what makes people fall in love with making theater.
 
Better Nate Than Ever and Five, Six, Seven, Nate! by Tim Federle.  These are really YA novels but more and more adults are reading kids’ books and this series is tailor-made for us grown-up theater geeks. They chronicle the adventures of Nate Foster, a middle-school misfit with a passion for musicals and a more than passable singing voice. With the help of his best friend Libby, he sneaks away from his small Pennsylvania hometown to a New York audition for a musical version of “E.T.” In the process, he meets all kinds of showbiz types, learns what goes into making a Broadway show and finds the courage to be himself.  The result are books that are equally heartwarming and hilarious. 

THE MEMOIRS
Carpets and Other Banana Skins: The Autobiography by Rupert Everett. As charming on the page as he is on the stage and the screen, Everett has written a piquant tell-all about his early years as a young actor in the 1970s and ‘80s.  He holds back little and his stories range from his days as a newbie in drama school and a regional rep company to his experiences on the celebrity party scene and as a rent boy for famous clients such as Ian McKellan. There’s lots of other nigh-profile name dropping too but it’s done with finesse, and Everett is such an excellent writer that his book is a guilt-free pleasure.

Song of Spider-Man: The Inside Story of the Most Controversial Musical in Broadway History by Glen Berger. The mega-expensive and problem-plagued musical may now be closed but this account of how it came to be is still entertaining. Berger, who was there from the beginning as Julie Taymor’s co-writer, is somewhat self-serving but he kept notes throughout the process and has turned them into a classic tale of theatrical hubris that’s hard for any theater junkie to resist.

Nothing Like a Dame: Conversations with the Great Women of Musical Theater by Eddie Shapiro.  Celebrity interviews are a dime a dozen but I’ve never come across any as revealing as those in this collection of interviews with 20 of Broadway's biggest stars including Angela Lansbury, Patti LuPone, Audra McDonald and Idina Menzel. In long, anecdote-rich conversations, these talented women talk honestly about the joys of being on stage, the difficulties of balancing family life with a career in the theater, the challenges of being a woman in a field still dominated by men, the realities of aging. If you only have time for one book this summer, make it this one.  

On the other hand, if you’re looking for even more to read, here are the links to the suggestions from previous years:







July 3, 2013

Theater Books for Summer Reading 2013


Summer is my favorite time of the year. And one of the things I love about it is sharing this annual list of books for theater lovers to read at the beach, under a tree or, perhaps like me, on a city terrace while sipping something cool, crisp and refreshing (Prosecco is my drink of choice this summer). The books this year are a bit more eclectic than usual, which I hope means there will be something to suit your theatrical interests whatever they may be:

Showbiz, A Novel by Ruby Preston. If you’re still in “Smash” withdrawal, this may be the one for you. For Showbiz is a mash-up of fiction (the murder of a theater critic) Broadway legends (an ogre-like producer named Margolies borrows the birth name and personality of David Merrick) and the contemporary Broadway scene (everyone is competing for Hollywood stars to anchor their shows). It follows the professional and amorous adventures of a young producer named Scarlett Savoy as she tries to solve the whodunit and put on her first show. Just as with “Smash,” true insiders may wince at some of the details (I mean does anyone really call the restaurant Angus McIndoe, “The Angus"?) but the story is still a romp and Preston has already written a sequel called Staged. (You can find it here.)
 
The Year of the King: An Actor's Diary and Sketchbook by Antony Sher. The South African-born actor is as accomplished a visual artist as he is a theatrical one and both of his talents are on vivid display in this illustrated memoir of the year 1984, from the time he was approached to star in a Royal Shakespeare Company production of Richard III straight through to the triumphant opening night. It would be hard to find a finer book about the process an actor uses—or the angst he sometimes goes through—to create a memorable role. The book is also filled with cozy anecdotes about his friends and acquaintances (Michael Gambon, Laurence Olivier) and the pen and ink drawings that Sher made as he tried to envision his image of Richard. (You can find it here.)

In Sunlight and In Shadow by Mark Helprin. The main characters in this literary novel are Catherine, a young heiress trying to make a name for herself in the New York theater world; and Harry, a former OSS officer struggling to save his family business from the mob after returning home from World War II. Their love affair plays out over 700-pages and the parts devoted to the theater are smaller than I wanted them to be but the writing is gorgeous. If beautiful prose is your thing, this could be an enchanting way to while away lazy summer afternoons. (You can find it here.) 

Jack Be NImble: The Accidental Education of an Unintentional Director by Jack O'Brien. As his Tonys for Hairspray, Henry IV and The Coast of Utopia show, O’Brien is a hell of a director.  But who knew he was an equally gifted writer? I’m only half-way through this myself but O'Brien’s coming-of-age-in-the-theater memoir is shaping up to be one of the best books of any kind I’ve read this year. The heart of the book is his relationship as general factotum to the director Ellis Rabb, who founded the APA, the repertory company that took serious theater to cities across the country in the ‘60s before regional theaters were common. It’s a wonderful look back at an almost-forgotten time in American theater.  And it’s a great yarn too cause O’Brien doesn’t hold back; gossip is shared, secrets are told and the whole thing is a delight. (You can find it here.)
 
The Painted Girls by Cathy Marie Buchanan. To be honest, this isn’t technically a book about theater but its fictional account of the teenage ballerina who posed for Edgar Degas’ famous statue, is the source material for the same story that will be told in Little Dancer, the new Stephen Flaherty and Lynn Ahrens musical that is scheduled to debut at the Kennedy Center in Fall 2014 in a production directed by Susan Stroman.  It’s also a heartrending look at how difficult life could be for young girls who aspired to be on the stage in the 19th century. (You can find it here.)

The Making of Cabaret by Keith Garebian. Based on interviews with the show’s creators, this detailed chronicle tracks the evolution of John Kander and Fred Ebb’s now-classic musical from its origins in the stories Christopher Isherwood wrote about his time in Weimar Germany through the original 1966 Broadway production—and beyond, including the 1972 movie version with Liza Minnelli and the landmark 1998 Broadway revival with the late Natasha Richardson and Alan Cumming as the MC. Along the way, Garebian makes informative detours into such topics as the history of European cabarets. It's catnip for theater history junkies. (You can find it here.)

Bad Publicity by Joanne Sydney Lessner. Isobel Spice, the heroine of this mystery series, is a struggling actress who makes ends meet by taking temp jobs.  As luck would have it—and fiction demands—people keep turning up dead wherever she’s assigned and so, in between auditions, she helps suss out who the killer is. There are more red herrings in this book than you’ll find pickled at a kosher deli but Lessner, herself an actress (and, full disclosure, a friend) has a good time tossing in bits of theater lore as well. (You can find it here.)

Great Moments in the Theatre by Benedict Nightingale. Who doesn’t love lists?  And who better to put one together on the most significant productions in theater history than Nightingale, the longtime chief theater critic for The London Times?  The first production cited is The Oresteia back in 548 B.C. but the book quickly moves on to Richard Burbage’s Hamlet in 1601 (the Hamlets of David Garrick in 1742, Sarah Bernhardt in 1899 and Simon Russell Beale in 2000 get their own chapters too). Productions in Dublin, Madrid, Moscow, Paris, St. Petersburg and New York are noted but most of the shows discussed first appeared in London, including Mark Rylance’s performance in Jerusalem, which ends the book. Nightingale deftly weaves erudite scholarship, backstage gossip and personal memories into short, easily digestible chapters that can be read sequentially or at random. (You can find it here.)

And to keep things easy, here are the links to my previous summer reading suggestions:
2011

2010




 




July 2, 2011

Theater Books for Summer Reading 2011

The thermometer has been hitting the 80s for weeks now and the summer solstice came almost a fortnight ago but the lazy days of summer officially begin this Fourth of July weekend.  Workman have been refortifying our terrace, which means I haven’t been able to hang out there as I love to do during hot days and balmy evenings but that hasn’t stopped me from reading lots of books, imbibing lots of summer drinks (my husband K has been mixing up some yummy cocktails made with St-Germain) or putting together my fifth (!) annual list of books for theater lovers to enjoy over the next eight weeks of summer. Like last year, the majority of the suggestions are novels but there are a few nifty nonfiction reads too. So, happy reading and happy summer.


Stagestruck by Peter Lovesey. Few things are more relaxing than curling up with a good old-fashioned British mystery on a summer afternoon. This year’s recommendation is an updated spin on the old familiar tropes: the idiosyncratic detective, the isolated group of suspects—each with a good motive for the murder, and the requisite red herrings are all there but so are cell phones, laptops and social networking. Plus, there's a theater ghost.


The Book of Air and Shadows by Michael Gruber. Imagine "The Da Vinci Code," only the object of the mysterious treasure hunt isn’t the Holy Grail but a long-lost Shakespeare manuscript. There are the usual hidden clues and improbable coincidences typical of the genre but this is still a page turner even if you don’t know your Mercutio from your Malvolio.

The Tragedy of Arthur by Arthur Phillips. The question of who really wrote Shakespeare is an evergreen in scholarly circles and with mystery writers looking for a good MacGuffin.  But no one has mined the subject to better effect than Phillips, who has not only written a real romp of a novel but included a complete faux Shakespeare play as well.

The Lake Shore Limited by Sue Miller.  Some people will see this as a 9/11 novel but those of us who love theater will cherish this story about a young playwright whose lover died in the attacks and an actor whose wife is terminally ill as a sensitive portrayal of the connection that every great artist draws between art and life.

Ghost Light by Joseph O’Connor.  There are two theater books by this name.  One is a memoir by the former New York Times theater critic Frank Rich. But this one is a lyrical novel based on the real-life but ill-fated romance of the Irish playwright J.M. Synge and Molly Allgood, the actress who was his muse.


Patti LuPone: A Memoir by Patti LuPone.  She is now not only the reigning diva of musical theater but a damn good raconteur too.  LuPone's chatty memoir hits all the highlights of her career—her student days at Juilliard, the itinerant years in John Houseman’s Acting Company, her breakthrough in Evita, her firing from Sunset Boulevard, the later triumphs in Sweeney Todd and Gypsy.  And being Patti, she doesn’t hesitate to name (or call names) the people who’ve gotten on her bad side along the way.  This is a terrific read but the audiobook version, which Patti reads herself, is even more fun.
 
Must You Go? by Antonia Fraser. The title comes from the question that the playwright Harold Pinter asked the historian Antonia Fraser on the night that they met at a party, fell instantly in love, and later scandalized Britain by divorcing their spouses (she was the mother of six at the time) and setting up house together. Their passion for one another never cooled and over the next three decades, until his death in 2008, they were the most glamorous couple in the theater world and hobnobbed with boldface names around the globe, all of which Fraser details in this moving memoir, drawn from the diary entries she wrote throughout those years.


Theater Geek by Mickey Rapkin.  What’s more summery than summer camp? Rapkin, a writer and self-confessed theater geek, followed three talented kids in their final summer at Stagedoor Manor, probably the most famous theater camp in the country.  Instead of campfire songs, the kids there sing show tunes—and they do it very well. Robert Downey, Jr., Jennifer Jason Leigh and Jon Cryer are among the most famous grads.  Rapkin’s writing is only so-so but the stories he tells are, as Variety might have said in the old days, boffo.


And, just in case you still haven’t gotten round to it, here’s a bonus read: The Season by William Goldman.  Some people are saying that Goldman’s behind-the-scenes account of the 1967-68 Broadway season is outdated. That's a matter of debate but there's no question about the fact that if you haven’t read it, you should.  After all, we don’t harpoon whales anymore and “Moby-Dick” still works.


Finally, here are the links to my previous summer reading lists: